THE NEW BOOK!
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This Electronic Press Kit has been updated as of July 19, 2012. Please use these photos, bio information, and quotes for articles, posters, flyers, and promotions. If you have any questions or problems, or would like to arrange an interview with the band, please contact us at email@example.com.
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“A folk-pop trio from Seattle, performs funny original songs whose
exquisite musical detail and subtle needling wit attain a level of craft
not often seen in pop” -- NY Times
The Seattle trio Uncle Bonsai performs original, contemporary folk/pop music. With their soaring and intricate 3-part vocal harmonies and biting humor, accompanied by only an acoustic guitar, Arni Adler, Patrice O'Neill, and Andrew Ratshin deliver poignantly unflinching portrayals of life, love, and a guy named Doug. The trio's influences range from the Beatles to Stephen Sondheim. Some say Zappa cross-bred with Peter, Paul and Mary. Loudon Wainwright III, the Roches. Three tightly tiered and adhered voices, acoustic guitar. That's it. Nearly naked folk-pop for everyone.
Uncle Bonsai's acoustic folk-pop songs are almost one-act plays or short stories, resisting strict pop, folk, or singer-songwriter categories. Consequently, in the '80s the trio paired with a wide range of artists --- Bonnie Raitt, Suzanne Vega, Tracy Chapman, They Might Be Giants, The Persuasions, The Bobs, and Robyn Hitchcock -- reflecting a diversity of categorization. In addition to their regular appearances at clubs and festivals, the group stretches the boundaries of "folk" music, appearing in theaters and concert halls throughout North America.
Now entering its 31st year, Uncle Bonsai continues to perform and release new material. In mid-2013 the group will release its first ever "bedtime book for grownups," The Monster in the Closet/Go To Sleep. This fully illustrated, reversible, hard cover book for parents, features two popular Uncle Bonsai songs, with artwork by members Arni Adler and Patrice O'Neill, and includes a recording of the songs. Their most recent audio release, "The Grim Parade", is a collection of live and studio performances of songs focused on the passing of time, the passing of genes, and the passing of pets -- the truth of everything seemingly buried somewhere under the family tree.
"The group has achieved an almost cult status...their music ranges from irreverent to ironic, from satirical to sad. And despite the folk tag, their music defies categorization as it incorporates elements of jazz, pop, broadway, reggae, and classical." - Associated Press
Uncle Bonsai formed in 1981, when three recent graduates of a tiny college in Vermont migrated to Seattle and found each other in the want ads. Though strangers on the campus of only 600 students, the three quickly came together when one of them put out a call for a folk group to sing sea shanties.
Instead, Andrew, the group's guitarist and primary songwriter began writing new songs for the trio, creating a sound that soon became the trio's trademark: high soaring and intricate harmonies, (often biting) humor, and poignant, unflinching portrayals of life, love, and an everyman named "Doug."
The first "show" -- busking outside the gates of the Bumbershoot Festival in Seattle – amassed seven dollars apiece, enough to cross the gates onto the grounds in 1981. A year later, Bonsai opened for Firesign Theater, the first of several Bumbershoot and other festival appearances across North America.
When Seattle's KEZX radio played Bonsai's first recording, "Suzy," sold-out houses in the Pacific Northwest followed. Over the next eight years, Uncle Bonsai motor-homed its way around the national folk circuit for club, theater and festival engagements, frequently playing at New York's The Bottom Line, DC's The Birchmere and San Francisco's The Great American Music Hall, among others. The trio received accolades from national press and released three critically acclaimed recordings, A Lonely Grain of Corn ('84), Boys Want Sex in the Morning ('86), and Myn Ynd Wymyn ('88).
Uncle Bonsai's acoustic folk-pop songs are almost one-act plays or short stories, resisting strict pop, folk, or singer-songwriter categories. Consequently, in the '80s the trio paired with a wide range of artists --- Bonnie Raitt, Suzanne Vega, Loudon Wainwright III, Tracy Chapman, They Might Be Giants, The Persuasions, The Bobs, and Robyn Hitchcock -- reflecting a diversity of categorization. In addition to their regular appearances at clubs and festivals throughout North America, the group stretched the boundaries of "folk" music, appearing in a number of theaters, including a run with the improv group None of the Above, for shows at Seattle's A Contemporary Theater.
In 1989, Bonsai the group decided to take a break, but not before performing one final show, a benefit concert before an audience of 8,000 at the Woodland Park Zoo in Seattle.
Eight years later, the trio reunited for one night only, to perform and record the "Doug" release and, following up on the success of that evening, which sold out within hours of being announced, started performing bi-annually, writing new songs and winning over new fans. Just a year later, the group recorded a series of live concerts that became their eighth release, "Apology." Performances throughout the Pacific NW region, and a number of concerts in favorite national clubs, convinced the group to start touring again.
In 2007, Patrice O'Neill joined original members Arni Adler and Andrew Ratshin, and three years later, Uncle Bonsai released The Grim Parade (2010), a collection of live and studio performances of songs focused on the passing of time, the passing of genes, and the passing of pets -- the truth of everything seemingly buried somewhere under the family tree.
“Uncle Bonsai, a folk-pop trio from Seattle, performs funny original songs whose exquisite musical detail and subtle needling wit attain a level of craft not often seen in pop.” - Stephen Holden, The New York Times
"Singers Ratshin, O'Neill and Adler are pitch-perfect in their delivery of often complex harmonic arrangements. And if there were an Ella Fitzgerald Award for Exquisite Elocution in Song, they would surely get it. The trio officially bills itself as a "folk" outfit, but has none of the naiveté that label might suggest. These are nicely edgy, sour-sweet songs, written for grown-ups." - Michael Upchurch, The Seattle Times
“They brought cerebral wit, an assured stage presence, strong visual appeal and unusual and sophisticated harmonies (to their show). Uncle Bonsai is very talented, very promising, a group to watch.” - Jeff McLaughlin, The Boston Globe
“The group has achieved an almost cult status...their music ranges from irreverent to ironic, from satirical to sad. And despite the folk tag, their music defies categorization as it incorporates elements of jazz, pop, broadway, reggae, and classical.” - Carlos Andres Pedraza, Associated Press
“No other folk group has a vocal blend comparable to Uncle Bonsai. Uncle Bonsai writes and performs songs that combine folk-oriented melodies with lyrics whose intricate rhymes, ironic knowingness and satirical thrust suggest vintage theater songs filtered through the influence of the Beatles. The group offered more than scintillating cleverness. Songs about sexual manners and role-playing directly confront ticklish situations that one would not ordinarily expect to hear discussed in pop songs with honesty, delicacy and humor.” - Stephen Holden, The New York Times
“Uncle Bonsai are not normal. (They have) humor that starts at irreverent and moves out from there. They have the technical ability one expects of the Pointer Sisters or Manhattan Transfer...The crowd gave them a wildly enthusiastic reception and they encored with a breakneck “Boogie Woogie Bugle Boy” that left the Andrew Sisters’ original in the dust.” - Elijah Wald, The Boston Globe
“The problem with some ‘funny’ songs is that they don’t bear repeated playings. Uncle Bonsai’s songs defy the convention. They’re peanut butter for the brain, spread thick.” - Ed McKeon, Folk Roots, UK
“Whenever depression overwhelms, I remember I still have the Uncle Bonsai records. An intelligent band that’s also funny? Too good to be true.” - Lin Brehmer, WXRT, Chicago
“...vocal harmonizing is sophisticated and soaring, filling up all the empty spaces. Stylistically, they’re adept at everything from opera to jazz, reggae to doo-wop.”- Philadelphia Daily News
“...hilarious and very entertaining, through perfectly meshed voices and acoustic guitar. Every piece is a gem; each has the same kind of quirky sardonic edge that Loudon Wainright III and the Roches work has.” - Greg Quill, Toronto Star
“...humorous, warm, exhilarating, creative and politically courageous. It’s exciting to play their music; it makes me happy.” - Fred Herskowitz, WBAI, NY
“...superb in singing its own witty, arch and hugely entertaining songs...stunningly perceptive and often hilarious.” - Wayne Johnson, Seattle Times
“Uncle Bonsai is one of todays most talented and entertaining folk vocal trios...sounding at times as sweet as a church choir or skipping and swinging like psychotic Andrews Sisters and brother.” - Jackpot, CMJ New Music Report
“...complex but catchy vocal music...tackle issues most songwriters wouldn’t touch with a 10-foot pen. Their forte is to take the most unusual subjects and deliver them with hot musicianship.” - Larry Kelp, Oakland Tribune
“...innovative approach and a vibrant signature style. At a frenetic pace, with endlessly entertaining wit...notable for zinging one liners that cut through egos and pretensions and cultural blind spots like a scalpel.” - Chris Hill, City Paper, Philadelphia
“Their lyrics are as sophisticate as their harmonics. Folk, jazz, rock, even Gilbert and Sullivan patter-style songs – everything is grist for their creative mill. Uncle Bonsai is a treat not to be missed.- Diane Wright, Everett Herald
“Uncle Bonsai are one of the best things to erupt since Mt. St. Helens inspired all those lost environment, mother nature, Harry Truman epics...The effect is overwhelming and is a startling as a dog with good breath. They captivate and revet you. Their music is comprised of a babbling jungle of disjointed wordings too intellectual for most graffiti specialists but on the mark so solid you laugh and see a bit more of what goes on in your life and theirs.”- Chris Lunn, Victory Music Review
High-Resolution press photos are available for download on the right side of this page or by visiting the Press Photo Link.
Tech Sheet: Stage plot and technical specifications for Uncle Bonsai can be found in the Stage Plot PDF.
MP3 files are available by clicking EPK Audio Samples.
(This link will automatically download a 26mb folder containg five Uncle Bonsai songs -- two studio recordings and three live recordings -- from the new CD, "The Grim Parade." If you would like additional samples, please let us know.)
Here are a couple of live performance videos. [currently being updated]
Contact Uncle Bonsai:
Email: booking at unclebonsai.com
questions/problems: email info at unclebonsai.com
Yellow Tail Records
9102 - 17th Avenue NE
Seattle, WA 98115-3212
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